He feels that traditional narrative analyse don't really apply to pop video's. This is mainly because they approach narrative from a different angle to novels and films.
The reason for the different narrative structures are
- Pop videos are mainly built around songs. they don't pose traditional narrative structures(normality problem - resolution)
- The pop videos use the singer as the narrator and character
- the singer always keeps eye contact with the camera,this extends the performance, this is because it involves the viewer with the performance.
pop songs and therefore videos,do have a form of closure and ending. so the three minute single builds to a climax or to a constant repetition before fading away.some videos are autonomous from the music they spring from. sometimes the videos provide a visual pleasure that encourages repeated viewing,this therefore promotes the music.
Three relations between songs and videos
- Illustration-The video tells the story of the lyrics. For example "The script"- The Man who can't be moved.l i choose this video because in this video he is sitting on the floor and literally does not move and he also says " maybe you wont mean to, but you'll see me on the news". He is being recording by reporters as he sings that, whilst people surround him.
- Amplification- The video introduce new meanings that do not contradict the lyrics but add layers of meaning.
- Disjuncture- Where there is little connection between the lyric and video or where the video contradicts the lyric. " Micheal Jackson-What about us"
Finally in some videos the different instruments in the music are represented by different objects. videos also try and appeal to a wide range audience as possible without alienating the core target audience.
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